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Wild Irish or Paddy from Cork, with his coat buttoned behind — Thomas Rowlandson

Wild Irish or Paddy from Cork, with his coat buttoned behind (1812)

Thomas Rowlandson

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1827)

SPECIFICATIONS

Artist
Thomas Rowlandson
Category
Illustration
Year
1812
Nationality / school
English
Lifespan
1756–1827
Orientation
Landscape
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

Thomas Rowlandson is the artist behind "Wild Irish or Paddy from Cork, with his coat buttoned behind", dated 1812. Context for 1812: The first half of the nineteenth century moved from Neoclassicism to Romanticism, which placed emotion, nature, and the sublime at the centre of painting. Landscape gained new prestige through groups such as the Barbizon painters in France and the Hudson River School in the United States, and by mid-century Realism turned to ordinary people and everyday labour. Illustration, a short history: The late nineteenth and early twentieth centuries are often described as a golden age of book and magazine illustration. Illustration serves a text or a story, a tradition that runs from decorated medieval manuscripts to printed book plates, magazines, and posters. It is listed in the Illustration collection. The image is in landscape orientation.

Everything for "Wild Irish or Paddy from Cork, with his coat buttoned behind" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Matching the frame to the image proportions avoids cropping. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Choosing a standard frame size and printing to fit it often saves the cost of custom framing.

ABOUT THE ARTIST

English, 1756–1827

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