

Toulon, l'entrée de la Rade (1926-1927)
Henri ManguinFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1949)
SPECIFICATIONS
- Artist
- Henri Manguin
- Category
- Landscape
- Year
- 1926-1927
- Nationality / school
- French
- Lifespan
- 1874–1949
- Orientation
- Landscape
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
ABOUT THE ARTWORK
Henri Manguin is the artist behind "Toulon, l'entrée de la Rade", dated 1926-1927. Historical background, 1926-1927: Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. Posters, magazines, and illustrated books were major ways for the public to meet new art and design. The catalogue places it in Landscape. The format is landscape. Landscape, a short history: Landscape became an independent genre in European painting in the sixteenth and seventeenth centuries, while in East Asia it had long been central to ink painting. Painters have used landscape to study light, weather, season, and the relation between people and place.
Buying "Toulon, l'entrée de la Rade" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Landscape scenes add depth and a sense of air to the room, helping the space feel more open and working especially well above a sofa, console, or desk. A simple frame with a mat often helps an image settle comfortably into a room. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.
ABOUT THE ARTIST
French, 1874–1949
If you like the visual language of Henri Manguin, explore more works by the same artist in our collection.






