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The Stoning of Saint Stephen — Bartholomeus Breenbergh

The Stoning of Saint Stephen (1632)

Bartholomeus Breenbergh

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1657)

SPECIFICATIONS

Artist
Bartholomeus Breenbergh
Category
Religion
Year
1632
Nationality / school
Dutch
Lifespan
1598–1657
Orientation
Landscape
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

"The Stoning of Saint Stephen" (1632) is a work by Bartholomeus Breenbergh. About the period around 1632: In Japan the Edo period began in 1603, and in China the Qing dynasty took power in 1644, both bringing new patrons and styles. The seventeenth century is the age of the Baroque, which favoured dramatic light, movement, and strong emotion in the work of painters in Italy, Spain, and Flanders. It is listed in the Religion collection. The image is in landscape orientation. Religion in brief: Religious painting is among the largest bodies of art ever made, from altarpieces, icons, and illuminated manuscripts to devotional prints. Buddhist painting, Hindu devotional imagery, and Islamic calligraphy and ornament each have conventions of their own.

On onlly.art "The Stoning of Saint Stephen" is sold as a digital download (Digital JPEG + PDF files, 300 DPI). The files are delivered by email after payment, so nothing is shipped: you print locally, choosing the paper, size, and frame yourself. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Before printing, compare the proportions of the file with your frame so that nothing important is cropped. Hang the print away from direct sunlight, which over the years can fade any printed colour. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

ABOUT THE ARTIST

Dutch, 1598–1657

If you like the visual language of Bartholomeus Breenbergh, explore more works by the same artist in our collection.

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