The Assumption of Mary (1784)

Vinzenz Fischer is the artist behind "The Assumption of Mary", dated 1784. Historical background, 1784: The eighteenth century began with the light, ornamental Rococo, especially in France, and moved towards the clarity and antique references of Neoclassicism by the end of the century. In Japan, ukiyo-e woodblock printing flourished in the Edo period and made colour prints a popular and affordable art form. Religion, a short history: Buddhist painting, Hindu devotional imagery, and Islamic calligraphy and ornament each have conventions of their own. Christian art follows long-established iconography, such as the Madonna and Child, the Annunciation, and the Crucifixion. The catalogue places it in Religion. The format is portrait.

"The Assumption of Mary" is offered as a printable file (Digital JPEG + PDF files, 300 DPI) rather than a shipped item. You receive the files by email after payment and handle printing yourself, which gives you full control over paper, size, and finish. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Measuring the wall before choosing a size is the simplest way to avoid a print that feels too small or too large. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.

Austrian, 1729–1810

If you like the visual language of Vinzenz Fischer, explore more works by the same artist in our collection.