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Sketch of a Dead Partridge — Friedrich Carl von Scheidlin

Sketch of a Dead Partridge (1840)

Friedrich Carl von Scheidlin

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1913)

SPECIFICATIONS

Artist
Friedrich Carl von Scheidlin
Category
Still Life
Year
1840
Nationality / school
Austrian
Lifespan
1822–1913
Orientation
Landscape
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

"Sketch of a Dead Partridge" (1840) is a work by Friedrich Carl von Scheidlin. Context for 1840: The first half of the nineteenth century moved from Neoclassicism to Romanticism, which placed emotion, nature, and the sublime at the centre of painting. The invention of lithography around 1796 and its spread in these decades made printed images cheaper and more varied. The catalogue places it in Still Life. The format is landscape. Still Life, a short history: Still life, the arrangement of flowers, fruit, tableware, and other objects, became a distinct genre in the Netherlands and Spain in the sixteenth and seventeenth centuries. Dutch vanitas paintings used objects such as skulls, candles, and wilting flowers to remind viewers that time passes.

Your purchase of "Sketch of a Dead Partridge" on onlly.art is a digital download: Digital JPEG + PDF files, 300 DPI. After payment the download link arrives by email, and you can send the files to any print service you trust. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Still life works are appreciated for their intimacy and rich surface detail, which makes them especially suited to dining rooms, kitchens, studies, and other quieter parts of the home. If you are unsure about size, measure the wall first, then pick a frame whose proportions follow the image. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.

ABOUT THE ARTIST

Austrian, 1822–1913

If you like the visual language of Friedrich Carl von Scheidlin, explore more works by the same artist in our collection.

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