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Moss Forget-me-not (Eritichum elongatum) — Mary Vaux Walcott

Moss Forget-me-not (Eritichum elongatum) (1915)

Mary Vaux Walcott

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1940)

SPECIFICATIONS

Artist
Mary Vaux Walcott
Category
Plants & Animals
Year
1915
Nationality / school
American
Lifespan
1860–1940
Orientation
Portrait
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

"Moss Forget-me-not (Eritichum elongatum)" (1915) is a work by Mary Vaux Walcott. Historical background, 1915: Posters, magazines, and illustrated books were major ways for the public to meet new art and design. Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. It is listed in the Plants & Animals collection. The image is in portrait orientation. Plants & Animals in brief: Images of plants and animals run from medieval herbals and bestiaries to the scientific illustration of the seventeenth to nineteenth centuries. Naturalists and artists often worked together, especially on voyages and in published surveys of flora and fauna.

Buying "Moss Forget-me-not (Eritichum elongatum)" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. A simple frame with a mat often helps an image settle comfortably into a room. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.

ABOUT THE ARTIST

American, 1860–1940

If you like the visual language of Mary Vaux Walcott, explore more works by the same artist in our collection.

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