

Men of the woods (1835-1839)
William MacGillivrayFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1852)
SPECIFICATIONS
- Artist
- William MacGillivray
- Category
- Plants & Animals
- Year
- 1835-1839
- Nationality / school
- Scottish
- Lifespan
- 1796–1852
- Orientation
- Portrait
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
ABOUT THE ARTWORK
This page presents "Men of the woods" (1835-1839), created by William MacGillivray. Plants & Animals, a short history: Naturalists and artists often worked together, especially on voyages and in published surveys of flora and fauna. Images of plants and animals run from medieval herbals and bestiaries to the scientific illustration of the seventeenth to nineteenth centuries. Historical background, 1835-1839: The first half of the nineteenth century moved from Neoclassicism to Romanticism, which placed emotion, nature, and the sublime at the centre of painting. Landscape gained new prestige through groups such as the Barbizon painters in France and the Hudson River School in the United States, and by mid-century Realism turned to ordinary people and everyday labour. It is listed in the Plants & Animals collection. The image is in portrait orientation.
Buying "Men of the woods" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. A simple frame with a mat often helps an image settle comfortably into a room. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour.
ABOUT THE ARTIST
Scottish, 1796–1852
If you like the visual language of William MacGillivray, explore more works by the same artist in our collection.






