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Madonna Litta, copy after Leonardo da Vinci — Magnus Enckell

Madonna Litta, copy after Leonardo da Vinci (1896)

Magnus Enckell

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1925)

SPECIFICATIONS

Artist
Magnus Enckell
Category
Religion
Year
1896
Nationality / school
Finnish
Lifespan
1870–1925
Orientation
Portrait
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

"Madonna Litta, copy after Leonardo da Vinci" (1896) is a work by Magnus Enckell. Context for 1896: The later nineteenth century is the era of Impressionism, whose first group exhibition was held in Paris in 1874, followed by Post-Impressionism, Symbolism, and the Arts and Crafts movement. In the 1890s, colour lithography and Art Nouveau made the illustrated poster a celebrated art form. It is listed in the Religion collection. The image is in portrait orientation. Religion, a short history: Christian art follows long-established iconography, such as the Madonna and Child, the Annunciation, and the Crucifixion. Buddhist painting, Hindu devotional imagery, and Islamic calligraphy and ornament each have conventions of their own.

On onlly.art "Madonna Litta, copy after Leonardo da Vinci" is sold as a digital download (Digital JPEG + PDF files, 300 DPI). The files are delivered by email after payment, so nothing is shipped: you print locally, choosing the paper, size, and frame yourself. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Religious subjects rely on symbolism, gesture, and layered painterly drama, so they tend to read best in calm and composed interiors. Before printing, compare the proportions of the file with your frame so that nothing important is cropped. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.

ABOUT THE ARTIST

Finnish, 1870–1925

If you like the visual language of Magnus Enckell, explore more works by the same artist in our collection.

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