

Landscape in Latium with Farm Laborers (1660–1663)
Claude LorrainFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1682)
SPECIFICATIONS
- Artist
- Claude Lorrain
- Category
- Drawings
- Year
- 1660–1663
- Nationality / school
- French
- Lifespan
- 1604–1682
- Orientation
- Landscape
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
HELPFUL LINKS
ABOUT THE ARTWORK
Claude Lorrain is the artist behind "Landscape in Latium with Farm Laborers", dated 1660–1663. Drawings in brief: Drawings range from quick preparatory sketches to finished works in pen, chalk, charcoal, graphite, or wash. Because line carries so much of the effect, drawings tend to reward close looking at the quality of the mark. About the period around 1660–1663: In the Dutch Republic, a prosperous middle-class market supported landscapes, still lifes, portraits, and scenes of daily life painted at a modest scale for the home. In Japan the Edo period began in 1603, and in China the Qing dynasty took power in 1644, both bringing new patrons and styles. It is listed in the Drawings collection. The image is in landscape orientation.
"Landscape in Latium with Farm Laborers" is offered as a printable file (Digital JPEG + PDF files, 300 DPI) rather than a shipped item. You receive the files by email after payment and handle printing yourself, which gives you full control over paper, size, and finish. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Drawings and sketches stand out through line clarity and a sense of the artist process, which makes them a natural fit for minimalist, monochrome, and graphic interiors. Measuring the wall before choosing a size is the simplest way to avoid a print that feels too small or too large. Hang the print away from direct sunlight, which over the years can fade any printed colour. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.
ABOUT THE ARTIST
French, 1604–1682
If you like the visual language of Claude Lorrain, explore more works by the same artist in our collection.






