

Gevogelte bij een bergstroom (1683)
Herman HenstenburghFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1726)
SPECIFICATIONS
- Artist
- Herman Henstenburgh
- Category
- Plants & Animals
- Year
- 1683
- Nationality / school
- Dutch
- Lifespan
- 1667–1726
- Orientation
- Portrait
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
HELPFUL LINKS
ABOUT THE ARTWORK
Dated 1683, "Gevogelte bij een bergstroom" is an artwork by Herman Henstenburgh. Context for 1683: In Japan the Edo period began in 1603, and in China the Qing dynasty took power in 1644, both bringing new patrons and styles. The seventeenth century is the age of the Baroque, which favoured dramatic light, movement, and strong emotion in the work of painters in Italy, Spain, and Flanders. Plants & Animals, a short history: Naturalists and artists often worked together, especially on voyages and in published surveys of flora and fauna. Images of plants and animals run from medieval herbals and bestiaries to the scientific illustration of the seventeenth to nineteenth centuries. The catalogue places it in Plants & Animals. The format is portrait.
Buying "Gevogelte bij een bergstroom" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. A simple frame with a mat often helps an image settle comfortably into a room. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.
ABOUT THE ARTIST
Dutch, 1667–1726
If you like the visual language of Herman Henstenburgh, explore more works by the same artist in our collection.






