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Female nude, right arm upraised — John Rubens Smith

Female nude, right arm upraised (1796)

John Rubens Smith

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1849)

SPECIFICATIONS

Artist
John Rubens Smith
Category
Drawings
Year
1796
Nationality / school
American
Lifespan
1775–1849
Orientation
Portrait
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

Dated 1796, "Female nude, right arm upraised" is an artwork by John Rubens Smith. The catalogue places it in Drawings. The format is portrait. Background on Drawings: Artists have long used drawings to plan paintings, sculptures, and buildings, so a sketch can show how an idea developed. Because line carries so much of the effect, drawings tend to reward close looking at the quality of the mark. Historical background, 1796: In Japan, ukiyo-e woodblock printing flourished in the Edo period and made colour prints a popular and affordable art form. The eighteenth century began with the light, ornamental Rococo, especially in France, and moved towards the clarity and antique references of Neoclassicism by the end of the century.

Everything for "Female nude, right arm upraised" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Drawings and sketches stand out through line clarity and a sense of the artist process, which makes them a natural fit for minimalist, monochrome, and graphic interiors. Matching the frame to the image proportions avoids cropping. Hang the print away from direct sunlight, which over the years can fade any printed colour. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

ABOUT THE ARTIST

American, 1775–1849

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