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Corso Sant'Anastasia, Verona — Richard Parkes Bonington

Corso Sant'Anastasia, Verona (1828)

Richard Parkes Bonington

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1828)

SPECIFICATIONS

Artist
Richard Parkes Bonington
Category
Landscape
Year
1828
Nationality / school
English
Lifespan
1802–1828
Orientation
Portrait
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

This page presents "Corso Sant'Anastasia, Verona" (1828), created by Richard Parkes Bonington. Landscape, a short history: Painters have used landscape to study light, weather, season, and the relation between people and place. Landscape became an independent genre in European painting in the sixteenth and seventeenth centuries, while in East Asia it had long been central to ink painting. Context for 1828: The first half of the nineteenth century moved from Neoclassicism to Romanticism, which placed emotion, nature, and the sublime at the centre of painting. The invention of lithography around 1796 and its spread in these decades made printed images cheaper and more varied. The catalogue places it in Landscape. The format is portrait.

On onlly.art "Corso Sant'Anastasia, Verona" is sold as a digital download (Digital JPEG + PDF files, 300 DPI). The files are delivered by email after payment, so nothing is shipped: you print locally, choosing the paper, size, and frame yourself. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Landscape scenes add depth and a sense of air to the room, helping the space feel more open and working especially well above a sofa, console, or desk. Before printing, compare the proportions of the file with your frame so that nothing important is cropped. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

ABOUT THE ARTIST

English, 1802–1828

If you like the visual language of Richard Parkes Bonington, explore more works by the same artist in our collection.

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