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Cabul; a 'kuttar' or string of blind beggars — James Atkinson

Cabul; a 'kuttar' or string of blind beggars (1843)

James Atkinson

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1852)

SPECIFICATIONS

Artist
James Atkinson
Category
Illustration
Year
1843
Nationality / school
English
Lifespan
1780–1852
Orientation
Landscape
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

Dated 1843, "Cabul; a 'kuttar' or string of blind beggars" is an artwork by James Atkinson. Context for 1843: Landscape gained new prestige through groups such as the Barbizon painters in France and the Hudson River School in the United States, and by mid-century Realism turned to ordinary people and everyday labour. The first half of the nineteenth century moved from Neoclassicism to Romanticism, which placed emotion, nature, and the sublime at the centre of painting. Illustration in brief: The late nineteenth and early twentieth centuries are often described as a golden age of book and magazine illustration. Printing methods such as woodcut, engraving, lithography, and photomechanical reproduction each shaped how illustrators worked. It is listed in the Illustration collection. The image is in landscape orientation.

On onlly.art "Cabul; a 'kuttar' or string of blind beggars" is sold as a digital download (Digital JPEG + PDF files, 300 DPI). The files are delivered by email after payment, so nothing is shipped: you print locally, choosing the paper, size, and frame yourself. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Before printing, compare the proportions of the file with your frame so that nothing important is cropped. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

ABOUT THE ARTIST

English, 1780–1852

If you like the visual language of James Atkinson, explore more works by the same artist in our collection.

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