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Woman at the Window — Auguste Oleffe

Woman at the Window (1924)

Auguste Oleffe

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1931)

SPECIFICATIONS

Artist
Auguste Oleffe
Category
Figurative
Year
1924
Nationality / school
Belgian
Lifespan
1867–1931
Orientation
Portrait
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

This page presents "Woman at the Window" (1924), created by Auguste Oleffe. Figurative, a short history: Figurative art depicts people and recognisable scenes, and it has been central to European painting since antiquity. Portraits, group scenes, studies of the nude, and pictures of daily life all belong to figurative art. Context for 1924: The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other. Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. The catalogue places it in Figurative. The format is portrait.

"Woman at the Window" is offered as a printable file (Digital JPEG + PDF files, 300 DPI) rather than a shipped item. You receive the files by email after payment and handle printing yourself, which gives you full control over paper, size, and finish. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Figurative works draw attention to the human presence, the gesture, and the emotional tone, so they work particularly well as a standalone focal point in living rooms, studies, and bedrooms. Measuring the wall before choosing a size is the simplest way to avoid a print that feels too small or too large. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour.

ABOUT THE ARTIST

Belgian, 1867–1931

If you like the visual language of Auguste Oleffe, explore more works by the same artist in our collection.

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