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Woman at the sewing machine — Gustav Schraegle

Woman at the sewing machine (1900)

Gustav Schraegle

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1925)

SPECIFICATIONS

Artist
Gustav Schraegle
Category
Drawings
Year
1900
Nationality / school
German
Lifespan
1867–1925
Orientation
Portrait
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

"Woman at the sewing machine" (1900) is a work by Gustav Schraegle. Context for 1900: The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other. Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. Drawings, a short history: Drawings range from quick preparatory sketches to finished works in pen, chalk, charcoal, graphite, or wash. Artists have long used drawings to plan paintings, sculptures, and buildings, so a sketch can show how an idea developed. It is listed in the Drawings collection. The image is in portrait orientation.

Buying "Woman at the sewing machine" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Drawings and sketches stand out through line clarity and a sense of the artist process, which makes them a natural fit for minimalist, monochrome, and graphic interiors. A simple frame with a mat often helps an image settle comfortably into a room. Hang the print away from direct sunlight, which over the years can fade any printed colour. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

ABOUT THE ARTIST

German, 1867–1925

If you like the visual language of Gustav Schraegle, explore more works by the same artist in our collection.

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