

Umberleigh Mill, River Taw, Devon (1830)
Thomas Sidney CooperDigital file
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DIGITAL POSTER
- What you buy
- Digital poster file: JPEG + PDF, 300 DPI
- Price
- $2.99 per file, every extra file gets cheaper
- Delivery
- Download link is sent by email after payment
Provenance / Rights
- Rights
- Public domain (artist died 1902)
Umberleigh Mill, River Taw, Devon
$2.99
ABOUT THE ARTWORK
This page presents "Umberleigh Mill, River Taw, Devon" (1830), created by Thomas Sidney Cooper. Context for 1830: Landscape gained new prestige through groups such as the Barbizon painters in France and the Hudson River School in the United States, and by mid-century Realism turned to ordinary people and everyday labour. The invention of lithography around 1796 and its spread in these decades made printed images cheaper and more varied. Landscape in brief: The invention of paint in tubes in the 1840s made it easier to work outdoors, and landscape became a main subject of Romanticism, Realism, and Impressionism. Landscape became an independent genre in European painting in the sixteenth and seventeenth centuries, while in East Asia it had long been central to ink painting. It is listed in the Landscape collection. The image is in landscape orientation.
Buying "Umberleigh Mill, River Taw, Devon" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Landscape scenes add depth and a sense of air to the room, helping the space feel more open and working especially well above a sofa, console, or desk. A simple frame with a mat often helps an image settle comfortably into a room. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour.
ABOUT THE ARTIST
English, 1803–1902
If you like the visual language of Thomas Sidney Cooper, explore more works by the same artist in our collection.
SPECIFICATIONS
- Artist
- Thomas Sidney Cooper
- Category
- Landscape
- Year
- 1830
- Nationality / school
- English
- Lifespan
- 1803–1902
- Orientation
- Landscape
- Material
- Digital JPEG + PDF files
- Available sizes
- Digital file
MORE WORKS BY THIS ARTIST



A Mule or Donkey, Harnessed to a Farm Cart, with Other Sketches at Top, Executed at or Near Canterbury, c. 1835
Thomas Sidney Cooper



