Skip to main content
ONLLY.art
Trees in Bird Garden, Iver Heath — Paul Nash

Trees in Bird Garden, Iver Heath (1913)

Paul Nash

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1946)

SPECIFICATIONS

Artist
Paul Nash
Category
Abstract
Year
1913
Nationality / school
English
Lifespan
1889–1946
Orientation
Portrait
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

Dated 1913, "Trees in Bird Garden, Iver Heath" is an artwork by Paul Nash. Abstract in brief: Movements of later decades, including Abstract Expressionism and geometric abstraction, carried non-representational ideas into new scales and materials. It emerged in the early twentieth century, when several artists in Europe and Russia developed non-representational painting during the 1910s. Historical background, 1913: The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other. Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. It is listed in the Abstract collection. The image is in portrait orientation.

Buying "Trees in Bird Garden, Iver Heath" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. A simple frame with a mat often helps an image settle comfortably into a room. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

ABOUT THE ARTIST

English, 1889–1946

If you like the visual language of Paul Nash, explore more works by the same artist in our collection.

MORE WORKS BY THIS ARTIST

YOU MAY ALSO LIKE