The Last Supper (1713-1714)

Sebastiano Ricci is the artist behind "The Last Supper", dated 1713-1714. Context for 1713-1714: In Japan, ukiyo-e woodblock printing flourished in the Edo period and made colour prints a popular and affordable art form. The eighteenth century began with the light, ornamental Rococo, especially in France, and moved towards the clarity and antique references of Neoclassicism by the end of the century. It is listed in the Religion collection. The image is in landscape orientation. Background on Religion: Religious painting is among the largest bodies of art ever made, from altarpieces, icons, and illuminated manuscripts to devotional prints. Buddhist painting, Hindu devotional imagery, and Islamic calligraphy and ornament each have conventions of their own.

Everything for "The Last Supper" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Religious subjects rely on symbolism, gesture, and layered painterly drama, so they tend to read best in calm and composed interiors. Matching the frame to the image proportions avoids cropping. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Hang the print away from direct sunlight, which over the years can fade any printed colour.

Italian, 1659–1734

If you like the visual language of Sebastiano Ricci, explore more works by the same artist in our collection.