The Good Samaritan (1880)

Aimé Morot is the artist behind "The Good Samaritan", dated 1880. Context for 1880: The later nineteenth century is the era of Impressionism, whose first group exhibition was held in Paris in 1874, followed by Post-Impressionism, Symbolism, and the Arts and Crafts movement. In the 1890s, colour lithography and Art Nouveau made the illustrated poster a celebrated art form. It is listed in the Religion collection. The image is in portrait orientation. Religion in brief: Christian art follows long-established iconography, such as the Madonna and Child, the Annunciation, and the Crucifixion. Religious painting is among the largest bodies of art ever made, from altarpieces, icons, and illuminated manuscripts to devotional prints.

Buying "The Good Samaritan" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Religious subjects rely on symbolism, gesture, and layered painterly drama, so they tend to read best in calm and composed interiors. A simple frame with a mat often helps an image settle comfortably into a room. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour.

French, 1850–1913

If you like the visual language of Aimé Morot, explore more works by the same artist in our collection.