Skip to main content
ONLLY.art
Tetratheca Ericaefolia. Pleurandra — Fanny Elizabeth de Mole

Tetratheca Ericaefolia. Pleurandra (1861)

Fanny Elizabeth de Mole

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1866)

SPECIFICATIONS

Artist
Fanny Elizabeth de Mole
Category
Plants & Animals
Year
1861
Nationality / school
Australian
Lifespan
1835–1866
Orientation
Portrait
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

This page presents "Tetratheca Ericaefolia. Pleurandra" (1861), created by Fanny Elizabeth de Mole. It is listed in the Plants & Animals collection. The image is in portrait orientation. Background on Plants & Animals: Naturalists and artists often worked together, especially on voyages and in published surveys of flora and fauna. Images of plants and animals run from medieval herbals and bestiaries to the scientific illustration of the seventeenth to nineteenth centuries. About the period around 1861: The later nineteenth century is the era of Impressionism, whose first group exhibition was held in Paris in 1874, followed by Post-Impressionism, Symbolism, and the Arts and Crafts movement. In the 1890s, colour lithography and Art Nouveau made the illustrated poster a celebrated art form.

Everything for "Tetratheca Ericaefolia. Pleurandra" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Flora and fauna subjects make an interior feel softer and more alive, adding a natural rhythm that works well in both traditional and contemporary spaces. Matching the frame to the image proportions avoids cropping. Hang the print away from direct sunlight, which over the years can fade any printed colour. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

ABOUT THE ARTIST

Australian, 1835-1866

If you like the visual language of Fanny Elizabeth de Mole, explore more works by the same artist in our collection.

MORE WORKS BY THIS ARTIST

YOU MAY ALSO LIKE