

Sweet Violet (Viola odorata) with a dragonfly (1510–1515)
Master of Claude de FranceFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
SPECIFICATIONS
- Artist
- Master of Claude de France
- Category
- Plants & Animals
- Year
- 1510–1515
- Nationality / school
- French
- Orientation
- Portrait
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
HELPFUL LINKS
ABOUT THE ARTWORK
Master of Claude de France is the artist behind "Sweet Violet (Viola odorata) with a dragonfly", dated 1510–1515. Background on Plants & Animals: Images of plants and animals are valued both for the care of their observation and for their decorative appeal. Images of plants and animals run from medieval herbals and bestiaries to the scientific illustration of the seventeenth to nineteenth centuries. About the period around 1510–1515: The sixteenth century includes the High Renaissance in Italy, the Mannerist generation that followed it, and the Northern Renaissance of artists such as Dürer, Holbein, and Bruegel. The Protestant Reformation changed how religious imagery was commissioned in northern Europe, while Venetian painters made rich colour and brushwork a central concern. The catalogue places it in Plants & Animals. The format is portrait.
"Sweet Violet (Viola odorata) with a dragonfly" is offered as a printable file (Digital JPEG + PDF files, 300 DPI) rather than a shipped item. You receive the files by email after payment and handle printing yourself, which gives you full control over paper, size, and finish. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Flora and fauna subjects make an interior feel softer and more alive, adding a natural rhythm that works well in both traditional and contemporary spaces. Measuring the wall before choosing a size is the simplest way to avoid a print that feels too small or too large. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.
ABOUT THE ARTIST
French
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