

Study of an Ox and Standing Figures (1860)
William SimpsonFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1899)
SPECIFICATIONS
- Artist
- William Simpson
- Category
- Drawings
- Year
- 1860
- Nationality / school
- Scottish
- Lifespan
- 1823–1899
- Orientation
- Portrait
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
HELPFUL LINKS
ABOUT THE ARTWORK
Dated 1860, "Study of an Ox and Standing Figures" is an artwork by William Simpson. Context for 1860: Japanese prints reached Europe in large numbers and influenced many artists, while photography changed what painting needed to do. The later nineteenth century is the era of Impressionism, whose first group exhibition was held in Paris in 1874, followed by Post-Impressionism, Symbolism, and the Arts and Crafts movement. Drawings in brief: Drawings range from quick preparatory sketches to finished works in pen, chalk, charcoal, graphite, or wash. Artists have long used drawings to plan paintings, sculptures, and buildings, so a sketch can show how an idea developed. The catalogue places it in Drawings. The format is portrait.
On onlly.art "Study of an Ox and Standing Figures" is sold as a digital download (Digital JPEG + PDF files, 300 DPI). The files are delivered by email after payment, so nothing is shipped: you print locally, choosing the paper, size, and frame yourself. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Drawings and sketches stand out through line clarity and a sense of the artist process, which makes them a natural fit for minimalist, monochrome, and graphic interiors. Before printing, compare the proportions of the file with your frame so that nothing important is cropped. Hang the print away from direct sunlight, which over the years can fade any printed colour. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.
ABOUT THE ARTIST
Scottish, 1823–1899
If you like the visual language of William Simpson, explore more works by the same artist in our collection.






