

Street Corner (Coin de rue) (1899)
Pierre BonnardFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1947)
SPECIFICATIONS
- Artist
- Pierre Bonnard
- Category
- Illustration
- Year
- 1899
- Nationality / school
- French
- Lifespan
- 1867–1947
- Orientation
- Landscape
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
HELPFUL LINKS
ABOUT THE ARTWORK
This page presents "Street Corner (Coin de rue)" (1899), created by Pierre Bonnard. Historical background, 1899: The later nineteenth century is the era of Impressionism, whose first group exhibition was held in Paris in 1874, followed by Post-Impressionism, Symbolism, and the Arts and Crafts movement. Japanese prints reached Europe in large numbers and influenced many artists, while photography changed what painting needed to do. Illustration in brief: Printing methods such as woodcut, engraving, lithography, and photomechanical reproduction each shaped how illustrators worked. The late nineteenth and early twentieth centuries are often described as a golden age of book and magazine illustration. The catalogue places it in Illustration. The format is landscape.
Buying "Street Corner (Coin de rue)" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Illustrative graphics are valued for their decorative line work and narrative quality, which makes them a strong fit for gallery walls, kids rooms, studies, and more intimate interiors. A simple frame with a mat often helps an image settle comfortably into a room. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.
ABOUT THE ARTIST
French, 1867–1947
If you like the visual language of Pierre Bonnard, explore more works by the same artist in our collection.






