Self-Portrait (1845)

Samuel Lover is the artist behind "Self-Portrait", dated 1845. About the period around 1845: Landscape gained new prestige through groups such as the Barbizon painters in France and the Hudson River School in the United States, and by mid-century Realism turned to ordinary people and everyday labour. The first half of the nineteenth century moved from Neoclassicism to Romanticism, which placed emotion, nature, and the sublime at the centre of painting. The catalogue places it in Figurative. The format is portrait. Figurative in brief: Portraits, group scenes, studies of the nude, and pictures of daily life all belong to figurative art. Over the centuries, painters have used the figure to express social standing, narrative, and emotion.

"Self-Portrait" is offered as a printable file (Digital JPEG + PDF files, 300 DPI) rather than a shipped item. You receive the files by email after payment and handle printing yourself, which gives you full control over paper, size, and finish. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Figurative works draw attention to the human presence, the gesture, and the emotional tone, so they work particularly well as a standalone focal point in living rooms, studies, and bedrooms. Measuring the wall before choosing a size is the simplest way to avoid a print that feels too small or too large. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Choosing a standard frame size and printing to fit it often saves the cost of custom framing.

Irish, 1797–1868

If you like the visual language of Samuel Lover, explore more works by the same artist in our collection.