

Saint Antony raising a Man from the Dead (1640 - 1650)
Jacob Van OostFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1671)
SPECIFICATIONS
- Artist
- Jacob Van Oost
- Category
- Religion
- Year
- 1640 - 1650
- Nationality / school
- Flemish
- Lifespan
- 1603–1671
- Orientation
- Portrait
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
HELPFUL LINKS
ABOUT THE ARTWORK
Dated 1640 - 1650, "Saint Antony raising a Man from the Dead" is an artwork by Jacob Van Oost. It is listed in the Religion collection. The image is in portrait orientation. Background on Religion: Christian art follows long-established iconography, such as the Madonna and Child, the Annunciation, and the Crucifixion. Religious painting is among the largest bodies of art ever made, from altarpieces, icons, and illuminated manuscripts to devotional prints. Context for 1640 - 1650: The seventeenth century is the age of the Baroque, which favoured dramatic light, movement, and strong emotion in the work of painters in Italy, Spain, and Flanders. In Japan the Edo period began in 1603, and in China the Qing dynasty took power in 1644, both bringing new patrons and styles.
On onlly.art "Saint Antony raising a Man from the Dead" is sold as a digital download (Digital JPEG + PDF files, 300 DPI). The files are delivered by email after payment, so nothing is shipped: you print locally, choosing the paper, size, and frame yourself. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Religious subjects rely on symbolism, gesture, and layered painterly drama, so they tend to read best in calm and composed interiors. Before printing, compare the proportions of the file with your frame so that nothing important is cropped. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Choosing a standard frame size and printing to fit it often saves the cost of custom framing.
ABOUT THE ARTIST
Flemish, 1603–1671
If you like the visual language of Jacob Van Oost, explore more works by the same artist in our collection.






