

Rose Paintbrush (Castilleja pallida) (1920)
Mary Vaux WalcottFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1940)
SPECIFICATIONS
- Artist
- Mary Vaux Walcott
- Category
- Plants & Animals
- Year
- 1920
- Nationality / school
- American
- Lifespan
- 1860–1940
- Orientation
- Portrait
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
ABOUT THE ARTWORK
"Rose Paintbrush (Castilleja pallida)" (1920) is a work by Mary Vaux Walcott. About the period around 1920: Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other. Plants & Animals, a short history: Images of plants and animals are valued both for the care of their observation and for their decorative appeal. Naturalists and artists often worked together, especially on voyages and in published surveys of flora and fauna. The catalogue places it in Plants & Animals. The format is portrait.
Everything for "Rose Paintbrush (Castilleja pallida)" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Flora and fauna subjects make an interior feel softer and more alive, adding a natural rhythm that works well in both traditional and contemporary spaces. Matching the frame to the image proportions avoids cropping. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.
ABOUT THE ARTIST
American, 1860–1940
If you like the visual language of Mary Vaux Walcott, explore more works by the same artist in our collection.






