Prismes-35 (1931)

Emile-Allain Séguy is the artist behind "Prismes-35", dated 1931. Context for 1931: Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. Posters, magazines, and illustrated books were major ways for the public to meet new art and design. Abstract in brief: It emerged in the early twentieth century, when several artists in Europe and Russia developed non-representational painting during the 1910s. Movements of later decades, including Abstract Expressionism and geometric abstraction, carried non-representational ideas into new scales and materials. The catalogue places it in Abstract. The format is portrait.

Everything for "Prismes-35" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Abstract compositions work through rhythm, colour, and form, which makes them especially effective in modern interiors and in spaces that need a strong visual accent without a literal narrative. Matching the frame to the image proportions avoids cropping. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Hang the print away from direct sunlight, which over the years can fade any printed colour. Choosing a standard frame size and printing to fit it often saves the cost of custom framing.

French, 1877–1951

If you like the visual language of Emile-Allain Séguy, explore more works by the same artist in our collection.