Prismes-23 (1931)

"Prismes-23" (1931) is a work by Emile-Allain Séguy. Context for 1931: Posters, magazines, and illustrated books were major ways for the public to meet new art and design. The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other. Abstract in brief: Abstract art moves away from depicting recognisable objects and relies on colour, line, shape, and surface instead. It emerged in the early twentieth century, when several artists in Europe and Russia developed non-representational painting during the 1910s. The catalogue places it in Abstract. The format is portrait.

Everything for "Prismes-23" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Abstract compositions work through rhythm, colour, and form, which makes them especially effective in modern interiors and in spaces that need a strong visual accent without a literal narrative. Matching the frame to the image proportions avoids cropping. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour.

French, 1877–1951

If you like the visual language of Emile-Allain Séguy, explore more works by the same artist in our collection.