Party in the Studio (1925)

Hermann Scherer is the artist behind "Party in the Studio", dated 1925. The catalogue places it in Abstract. The format is square. Background on Abstract: It emerged in the early twentieth century, when several artists in Europe and Russia developed non-representational painting during the 1910s. Abstract art moves away from depicting recognisable objects and relies on colour, line, shape, and surface instead. Context for 1925: The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other. Posters, magazines, and illustrated books were major ways for the public to meet new art and design.

Everything for "Party in the Studio" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A square format is flexible and works well on its own or as part of a grid on a gallery wall. Matching the frame to the image proportions avoids cropping. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Hang the print away from direct sunlight, which over the years can fade any printed colour. Choosing a standard frame size and printing to fit it often saves the cost of custom framing.

German, 1893–1927

If you like the visual language of Hermann Scherer, explore more works by the same artist in our collection.