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Painted Trillium (Trillium undulatum) — Mary Vaux Walcott

Painted Trillium (Trillium undulatum) (1924)

Mary Vaux Walcott

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1940)

SPECIFICATIONS

Artist
Mary Vaux Walcott
Category
Plants & Animals
Year
1924
Nationality / school
American
Lifespan
1860–1940
Orientation
Portrait
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

Mary Vaux Walcott is the artist behind "Painted Trillium (Trillium undulatum)", dated 1924. Historical background, 1924: The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other. Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. Plants & Animals, a short history: Images of plants and animals run from medieval herbals and bestiaries to the scientific illustration of the seventeenth to nineteenth centuries. Naturalists and artists often worked together, especially on voyages and in published surveys of flora and fauna. It is listed in the Plants & Animals collection. The image is in portrait orientation.

"Painted Trillium (Trillium undulatum)" is offered as a printable file (Digital JPEG + PDF files, 300 DPI) rather than a shipped item. You receive the files by email after payment and handle printing yourself, which gives you full control over paper, size, and finish. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Flora and fauna subjects make an interior feel softer and more alive, adding a natural rhythm that works well in both traditional and contemporary spaces. Measuring the wall before choosing a size is the simplest way to avoid a print that feels too small or too large. Hang the print away from direct sunlight, which over the years can fade any printed colour. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.

ABOUT THE ARTIST

American, 1860–1940

If you like the visual language of Mary Vaux Walcott, explore more works by the same artist in our collection.

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