Owoce (1930)

Edmund Bartłomiejczyk is the artist behind "Owoce", dated 1930. Context for 1930: Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other. The catalogue places it in Illustration. The format is portrait. Illustration in brief: Printing methods such as woodcut, engraving, lithography, and photomechanical reproduction each shaped how illustrators worked. The late nineteenth and early twentieth centuries are often described as a golden age of book and magazine illustration.

Buying "Owoce" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Illustrative graphics are valued for their decorative line work and narrative quality, which makes them a strong fit for gallery walls, kids rooms, studies, and more intimate interiors. A simple frame with a mat often helps an image settle comfortably into a room. Hang the print away from direct sunlight, which over the years can fade any printed colour. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

Polish, 1885–1950

If you like the visual language of Edmund Bartłomiejczyk, explore more works by the same artist in our collection.