Nature morte aux prunes (1886)

Henri Fantin-Latour is the artist behind "Nature morte aux prunes", dated 1886. About the period around 1886: In the 1890s, colour lithography and Art Nouveau made the illustrated poster a celebrated art form. Japanese prints reached Europe in large numbers and influenced many artists, while photography changed what painting needed to do. Still Life, a short history: Later artists, including Cézanne, Matisse, and Picasso, used humble still-life subjects to test ideas about space and form. Still life, the arrangement of flowers, fruit, tableware, and other objects, became a distinct genre in the Netherlands and Spain in the sixteenth and seventeenth centuries. The catalogue places it in Still Life. The format is landscape.

Buying "Nature morte aux prunes" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. A simple frame with a mat often helps an image settle comfortably into a room. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

French, 1836–1904

If you like the visual language of Henri Fantin-Latour, explore more works by the same artist in our collection.