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Monte Viso, from the Col de La Croix — Elijah Walton

Monte Viso, from the Col de La Croix (1867)

Elijah Walton

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1880)

SPECIFICATIONS

Artist
Elijah Walton
Category
Landscape
Year
1867
Nationality / school
English
Lifespan
1832–1880
Orientation
Portrait
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

Dated 1867, "Monte Viso, from the Col de La Croix" is an artwork by Elijah Walton. Background on Landscape: Landscape became an independent genre in European painting in the sixteenth and seventeenth centuries, while in East Asia it had long been central to ink painting. The invention of paint in tubes in the 1840s made it easier to work outdoors, and landscape became a main subject of Romanticism, Realism, and Impressionism. Historical background, 1867: The later nineteenth century is the era of Impressionism, whose first group exhibition was held in Paris in 1874, followed by Post-Impressionism, Symbolism, and the Arts and Crafts movement. Japanese prints reached Europe in large numbers and influenced many artists, while photography changed what painting needed to do. It is listed in the Landscape collection. The image is in portrait orientation.

Buying "Monte Viso, from the Col de La Croix" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. A simple frame with a mat often helps an image settle comfortably into a room. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.

ABOUT THE ARTIST

English, 1832–1880

If you like the visual language of Elijah Walton, explore more works by the same artist in our collection.

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