Madonna and Child (1506 – 1512)

Giovanni Battista Cima da Conegliano is the artist behind "Madonna and Child", dated 1506 – 1512. Context for 1506 – 1512: The Protestant Reformation changed how religious imagery was commissioned in northern Europe, while Venetian painters made rich colour and brushwork a central concern. Elsewhere, the Mughal court in India developed a distinctive tradition of miniature painting, and printed images continued to travel widely between countries. Religion, a short history: Christian art follows long-established iconography, such as the Madonna and Child, the Annunciation, and the Crucifixion. Buddhist painting, Hindu devotional imagery, and Islamic calligraphy and ornament each have conventions of their own. The catalogue places it in Religion. The format is portrait.

Everything for "Madonna and Child" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Matching the frame to the image proportions avoids cropping. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

Italian, 1459–1517

If you like the visual language of Giovanni Battista Cima da Conegliano, explore more works by the same artist in our collection.