

Love and the Bachelor Maid (1910)
Anna Lea MerrittFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1930)
SPECIFICATIONS
- Artist
- Anna Lea Merritt
- Category
- Mythology
- Year
- 1910
- Nationality / school
- American
- Lifespan
- 1844–1930
- Orientation
- Landscape
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
ABOUT THE ARTWORK
This page presents "Love and the Bachelor Maid" (1910), created by Anna Lea Merritt. Context for 1910: The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other. Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. It is listed in the Mythology collection. The image is in landscape orientation. Mythology, a short history: Mythological painting draws on stories from Greek and Roman myth, and on other traditions such as Norse, Celtic, and Hindu narrative. In European academies, history and mythological subjects ranked highest among painting genres, so they often appear on a large scale and with ambitious compositions.
Everything for "Love and the Bachelor Maid" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Matching the frame to the image proportions avoids cropping. Hang the print away from direct sunlight, which over the years can fade any printed colour. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.
ABOUT THE ARTIST
American, 1844–1930
If you like the visual language of Anna Lea Merritt, explore more works by the same artist in our collection.






