

Landscape with Sheep and a Hay Wagon (1822 - 1824)
Balthasar Paul OmmeganckFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1826)
SPECIFICATIONS
- Artist
- Balthasar Paul Ommeganck
- Category
- Landscape
- Year
- 1822 - 1824
- Nationality / school
- Flemish
- Lifespan
- 1755–1826
- Orientation
- Landscape
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
ABOUT THE ARTWORK
Balthasar Paul Ommeganck is the artist behind "Landscape with Sheep and a Hay Wagon", dated 1822 - 1824. The catalogue places it in Landscape. The format is landscape. Landscape, a short history: Landscape became an independent genre in European painting in the sixteenth and seventeenth centuries, while in East Asia it had long been central to ink painting. The invention of paint in tubes in the 1840s made it easier to work outdoors, and landscape became a main subject of Romanticism, Realism, and Impressionism. About the period around 1822 - 1824: The first half of the nineteenth century moved from Neoclassicism to Romanticism, which placed emotion, nature, and the sublime at the centre of painting. Landscape gained new prestige through groups such as the Barbizon painters in France and the Hudson River School in the United States, and by mid-century Realism turned to ordinary people and everyday labour.
Your purchase of "Landscape with Sheep and a Hay Wagon" on onlly.art is a digital download: Digital JPEG + PDF files, 300 DPI. After payment the download link arrives by email, and you can send the files to any print service you trust. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. If you are unsure about size, measure the wall first, then pick a frame whose proportions follow the image. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Hang the print away from direct sunlight, which over the years can fade any printed colour.
ABOUT THE ARTIST
Flemish, 1755–1826
If you like the visual language of Balthasar Paul Ommeganck, explore more works by the same artist in our collection.






