La visite du dimanche (1919)

Jules Pascin is the artist behind "La visite du dimanche", dated 1919. Abstract, a short history: Movements of later decades, including Abstract Expressionism and geometric abstraction, carried non-representational ideas into new scales and materials. Abstract art moves away from depicting recognisable objects and relies on colour, line, shape, and surface instead. Context for 1919: Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. Posters, magazines, and illustrated books were major ways for the public to meet new art and design. The catalogue places it in Abstract. The format is portrait.

Buying "La visite du dimanche" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Abstract compositions work through rhythm, colour, and form, which makes them especially effective in modern interiors and in spaces that need a strong visual accent without a literal narrative. A simple frame with a mat often helps an image settle comfortably into a room. Hang the print away from direct sunlight, which over the years can fade any printed colour. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.

French, 1885–1930

If you like the visual language of Jules Pascin, explore more works by the same artist in our collection.