Hands Held High, study (1922)

Otto Meyer-Amden is the artist behind "Hands Held High, study", dated 1922. Abstract in brief: It emerged in the early twentieth century, when several artists in Europe and Russia developed non-representational painting during the 1910s. Abstract art moves away from depicting recognisable objects and relies on colour, line, shape, and surface instead. About the period around 1922: Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other. The catalogue places it in Abstract. The format is portrait.

Buying "Hands Held High, study" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. A simple frame with a mat often helps an image settle comfortably into a room. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.

Swiss, 1885–1933

If you like the visual language of Otto Meyer-Amden, explore more works by the same artist in our collection.