

Green Vase And White Bowl (1919)
Félix VallottonFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1925)
SPECIFICATIONS
- Artist
- Félix Vallotton
- Category
- Still Life
- Year
- 1919
- Nationality / school
- French
- Lifespan
- 1865–1925
- Orientation
- Square
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
ABOUT THE ARTWORK
"Green Vase And White Bowl" (1919) is a work by Félix Vallotton. Historical background, 1919: Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other. Still Life in brief: Later artists, including Cézanne, Matisse, and Picasso, used humble still-life subjects to test ideas about space and form. Dutch vanitas paintings used objects such as skulls, candles, and wilting flowers to remind viewers that time passes. It is listed in the Still Life collection. The image is in square orientation.
Buying "Green Vase And White Bowl" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A square format is flexible and works well on its own or as part of a grid on a gallery wall. Still life works are appreciated for their intimacy and rich surface detail, which makes them especially suited to dining rooms, kitchens, studies, and other quieter parts of the home. A simple frame with a mat often helps an image settle comfortably into a room. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.
ABOUT THE ARTIST
French, 1865–1925
If you like the visual language of Félix Vallotton, explore more works by the same artist in our collection.






