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Frise sur le mur à Pontoise — Paul Goute

Frise sur le mur à Pontoise (1921)

Paul Goute

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1943)

SPECIFICATIONS

Artist
Paul Goute
Category
Illustration
Year
1921
Nationality / school
French
Lifespan
1860–1943
Orientation
Landscape
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

"Frise sur le mur à Pontoise" (1921) is a work by Paul Goute. Background on Illustration: Printing methods such as woodcut, engraving, lithography, and photomechanical reproduction each shaped how illustrators worked. Illustration serves a text or a story, a tradition that runs from decorated medieval manuscripts to printed book plates, magazines, and posters. Context for 1921: Posters, magazines, and illustrated books were major ways for the public to meet new art and design. The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other. The catalogue places it in Illustration. The format is landscape.

On onlly.art "Frise sur le mur à Pontoise" is sold as a digital download (Digital JPEG + PDF files, 300 DPI). The files are delivered by email after payment, so nothing is shipped: you print locally, choosing the paper, size, and frame yourself. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Illustrative graphics are valued for their decorative line work and narrative quality, which makes them a strong fit for gallery walls, kids rooms, studies, and more intimate interiors. Before printing, compare the proportions of the file with your frame so that nothing important is cropped. Hang the print away from direct sunlight, which over the years can fade any printed colour. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.

ABOUT THE ARTIST

French, 1860–1943

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