

Frauen bei der Ernte (1922)
Martel SchwichtenbergFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1945)
SPECIFICATIONS
- Artist
- Martel Schwichtenberg
- Category
- Abstract
- Year
- 1922
- Nationality / school
- German
- Lifespan
- 1896–1945
- Orientation
- Landscape
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
ABOUT THE ARTWORK
Martel Schwichtenberg is the artist behind "Frauen bei der Ernte", dated 1922. Abstract in brief: Movements of later decades, including Abstract Expressionism and geometric abstraction, carried non-representational ideas into new scales and materials. Abstract art moves away from depicting recognisable objects and relies on colour, line, shape, and surface instead. Context for 1922: The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other. Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. It is listed in the Abstract collection. The image is in landscape orientation.
On onlly.art "Frauen bei der Ernte" is sold as a digital download (Digital JPEG + PDF files, 300 DPI). The files are delivered by email after payment, so nothing is shipped: you print locally, choosing the paper, size, and frame yourself. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Abstract compositions work through rhythm, colour, and form, which makes them especially effective in modern interiors and in spaces that need a strong visual accent without a literal narrative. Before printing, compare the proportions of the file with your frame so that nothing important is cropped. Hang the print away from direct sunlight, which over the years can fade any printed colour. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.
ABOUT THE ARTIST
German, 1896–1945
If you like the visual language of Martel Schwichtenberg, explore more works by the same artist in our collection.





