

Frau auf dem Sofa sitzend (Dora) (1899)
Max Artur StremelFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1928)
SPECIFICATIONS
- Artist
- Max Artur Stremel
- Category
- Illustration
- Year
- 1899
- Nationality / school
- German
- Lifespan
- 1859–1928
- Orientation
- Portrait
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
HELPFUL LINKS
ABOUT THE ARTWORK
Max Artur Stremel is the artist behind "Frau auf dem Sofa sitzend (Dora)", dated 1899. Illustration, a short history: Illustration serves a text or a story, a tradition that runs from decorated medieval manuscripts to printed book plates, magazines, and posters. Printing methods such as woodcut, engraving, lithography, and photomechanical reproduction each shaped how illustrators worked. Context for 1899: Japanese prints reached Europe in large numbers and influenced many artists, while photography changed what painting needed to do. The later nineteenth century is the era of Impressionism, whose first group exhibition was held in Paris in 1874, followed by Post-Impressionism, Symbolism, and the Arts and Crafts movement. The catalogue places it in Illustration. The format is portrait.
Buying "Frau auf dem Sofa sitzend (Dora)" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. A simple frame with a mat often helps an image settle comfortably into a room. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Choosing a standard frame size and printing to fit it often saves the cost of custom framing.
ABOUT THE ARTIST
German, 1859-1928
If you like the visual language of Max Artur Stremel, explore more works by the same artist in our collection.


