

Flore des quatre saisons Pl.12 (1835)
Louis-Pierre SchiltFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1859)
SPECIFICATIONS
- Artist
- Louis-Pierre Schilt
- Category
- Plants & Animals
- Year
- 1835
- Nationality / school
- French
- Lifespan
- 1790–1859
- Orientation
- Portrait
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
ABOUT THE ARTWORK
This page presents "Flore des quatre saisons Pl.12" (1835), created by Louis-Pierre Schilt. The catalogue places it in Plants & Animals. The format is portrait. Plants & Animals in brief: Images of plants and animals run from medieval herbals and bestiaries to the scientific illustration of the seventeenth to nineteenth centuries. Images of plants and animals are valued both for the care of their observation and for their decorative appeal. Historical background, 1835: The first half of the nineteenth century moved from Neoclassicism to Romanticism, which placed emotion, nature, and the sublime at the centre of painting. Landscape gained new prestige through groups such as the Barbizon painters in France and the Hudson River School in the United States, and by mid-century Realism turned to ordinary people and everyday labour.
"Flore des quatre saisons Pl.12" is offered as a printable file (Digital JPEG + PDF files, 300 DPI) rather than a shipped item. You receive the files by email after payment and handle printing yourself, which gives you full control over paper, size, and finish. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Flora and fauna subjects make an interior feel softer and more alive, adding a natural rhythm that works well in both traditional and contemporary spaces. Measuring the wall before choosing a size is the simplest way to avoid a print that feels too small or too large. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Choosing a standard frame size and printing to fit it often saves the cost of custom framing.
ABOUT THE ARTIST
French, 1790–1859
If you like the visual language of Louis-Pierre Schilt, explore more works by the same artist in our collection.






