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Ensemble de papiers de garde pour Eugène Verneau Pl.04 — George Auriol

Ensemble de papiers de garde pour Eugène Verneau Pl.04 (1913-1923)

George Auriol

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1938)

SPECIFICATIONS

Artist
George Auriol
Category
Illustration
Year
1913-1923
Nationality / school
French
Lifespan
1863–1938
Orientation
Portrait
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

George Auriol is the artist behind "Ensemble de papiers de garde pour Eugène Verneau Pl.04", dated 1913-1923. The catalogue places it in Illustration. The format is portrait. Illustration in brief: The late nineteenth and early twentieth centuries are often described as a golden age of book and magazine illustration. Illustration serves a text or a story, a tradition that runs from decorated medieval manuscripts to printed book plates, magazines, and posters. Context for 1913-1923: Posters, magazines, and illustrated books were major ways for the public to meet new art and design. Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s.

Buying "Ensemble de papiers de garde pour Eugène Verneau Pl.04" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Illustrative graphics are valued for their decorative line work and narrative quality, which makes them a strong fit for gallery walls, kids rooms, studies, and more intimate interiors. A simple frame with a mat often helps an image settle comfortably into a room. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

ABOUT THE ARTIST

French, 1863–1938

If you like the visual language of George Auriol, explore more works by the same artist in our collection.

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