Daniel (1858)

Jean-Hippolyte Flandrin is the artist behind "Daniel", dated 1858. Religion in brief: Buddhist painting, Hindu devotional imagery, and Islamic calligraphy and ornament each have conventions of their own. Christian art follows long-established iconography, such as the Madonna and Child, the Annunciation, and the Crucifixion. Context for 1858: The first half of the nineteenth century moved from Neoclassicism to Romanticism, which placed emotion, nature, and the sublime at the centre of painting. Landscape gained new prestige through groups such as the Barbizon painters in France and the Hudson River School in the United States, and by mid-century Realism turned to ordinary people and everyday labour. It is listed in the Religion collection. The image is in portrait orientation.

Buying "Daniel" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Religious subjects rely on symbolism, gesture, and layered painterly drama, so they tend to read best in calm and composed interiors. A simple frame with a mat often helps an image settle comfortably into a room. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour.

French, 1809–1864

If you like the visual language of Jean-Hippolyte Flandrin, explore more works by the same artist in our collection.