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Collier's, the national weekly, the first tee — Edward Penfield

Collier's, the national weekly, the first tee (1912)

Edward Penfield

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1925)

SPECIFICATIONS

Artist
Edward Penfield
Category
Vintage Posters
Year
1912
Nationality / school
American
Lifespan
1866–1925
Orientation
Portrait
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

"Collier's, the national weekly, the first tee" (1912) is a work by Edward Penfield. Context for 1912: The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other. Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. Vintage Posters in brief: Posters announced theatre, travel, products, and events, combining image and lettering to be read at a glance from the street. Art Nouveau, Art Deco, and later modernist design each left a recognisable poster style. It is listed in the Vintage Posters collection. The image is in portrait orientation.

Everything for "Collier's, the national weekly, the first tee" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Vintage posters bring character, graphic texture, and a collected feel to the room, while pairing easily with both contemporary furniture and eclectic styling. Matching the frame to the image proportions avoids cropping. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour.

ABOUT THE ARTIST

American, 1866–1925

If you like the visual language of Edward Penfield, explore more works by the same artist in our collection.

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