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Broken Tones of the Primaries and their Complementaries by James Ward, 1912 — digital art print download

Broken Tones of the Primaries and their Complementaries (1912)

James Ward
$2.99

Digital file

Add 1 more file → next file -5%.

DIGITAL POSTER

What you buy
Digital poster file: JPEG + PDF, 300 DPI
Price
$2.99 per file, every extra file gets cheaper
Delivery
Download link is sent by email after payment

Provenance / Rights

Rights
Public domain (artist died 1924)

Broken Tones of the Primaries and their Complementaries

$2.99

ABOUT THE ARTWORK

James Ward is the artist behind "Broken Tones of the Primaries and their Complementaries", dated 1912. The catalogue places it in Abstract. The format is portrait. Background on Abstract: It emerged in the early twentieth century, when several artists in Europe and Russia developed non-representational painting during the 1910s. Movements of later decades, including Abstract Expressionism and geometric abstraction, carried non-representational ideas into new scales and materials. Historical background, 1912: The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other. Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s.

"Broken Tones of the Primaries and their Complementaries" is offered as a printable file (Digital JPEG + PDF files, 300 DPI) rather than a shipped item. You receive the files by email after payment and handle printing yourself, which gives you full control over paper, size, and finish. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Measuring the wall before choosing a size is the simplest way to avoid a print that feels too small or too large. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Choosing a standard frame size and printing to fit it often saves the cost of custom framing.

ABOUT THE ARTIST

Irish, 1851–1924

If you like the visual language of James Ward, explore more works by the same artist in our collection.

SPECIFICATIONS

Artist
James Ward
Category
Abstract
Year
1912
Nationality / school
Irish
Lifespan
1851–1924
Orientation
Portrait
Material
Digital JPEG + PDF files
Available sizes
Digital file

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