

Boulevard des Batignolles (La Pluie) (1926)
Pierre BonnardFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1947)
SPECIFICATIONS
- Artist
- Pierre Bonnard
- Category
- Landscape
- Year
- 1926
- Nationality / school
- French
- Lifespan
- 1867–1947
- Orientation
- Square
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
ABOUT THE ARTWORK
This page presents "Boulevard des Batignolles (La Pluie)" (1926), created by Pierre Bonnard. The catalogue places it in Landscape. The format is square. Landscape, a short history: The invention of paint in tubes in the 1840s made it easier to work outdoors, and landscape became a main subject of Romanticism, Realism, and Impressionism. Painters have used landscape to study light, weather, season, and the relation between people and place. About the period around 1926: Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other.
On onlly.art "Boulevard des Batignolles (La Pluie)" is sold as a digital download (Digital JPEG + PDF files, 300 DPI). The files are delivered by email after payment, so nothing is shipped: you print locally, choosing the paper, size, and frame yourself. A square format is flexible and works well on its own or as part of a grid on a gallery wall. Landscape scenes add depth and a sense of air to the room, helping the space feel more open and working especially well above a sofa, console, or desk. Before printing, compare the proportions of the file with your frame so that nothing important is cropped. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Choosing a standard frame size and printing to fit it often saves the cost of custom framing.
ABOUT THE ARTIST
French, 1867–1947
If you like the visual language of Pierre Bonnard, explore more works by the same artist in our collection.






