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Automne à Honfleur, la Côte de Grâce — Emile Othon Friesz

Automne à Honfleur, la Côte de Grâce (1909)

Emile Othon Friesz

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1949)

SPECIFICATIONS

Artist
Emile Othon Friesz
Category
Landscape
Year
1909
Nationality / school
French
Lifespan
1879–1949
Orientation
Landscape
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

This page presents "Automne à Honfleur, la Côte de Grâce" (1909), created by Emile Othon Friesz. The catalogue places it in Landscape. The format is landscape. Landscape, a short history: Landscape became an independent genre in European painting in the sixteenth and seventeenth centuries, while in East Asia it had long been central to ink painting. Painters have used landscape to study light, weather, season, and the relation between people and place. Context for 1909: Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other.

Buying "Automne à Honfleur, la Côte de Grâce" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. A simple frame with a mat often helps an image settle comfortably into a room. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Choosing a standard frame size and printing to fit it often saves the cost of custom framing.

ABOUT THE ARTIST

French, 1879–1949

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