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Arcadian Landscape with an Obelisk — Salomon Gessner

Arcadian Landscape with an Obelisk (1785)

Salomon Gessner

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1788)

SPECIFICATIONS

Artist
Salomon Gessner
Category
Landscape
Year
1785
Nationality / school
Swiss
Lifespan
1730–1788
Orientation
Landscape
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

This page presents "Arcadian Landscape with an Obelisk" (1785), created by Salomon Gessner. Background on Landscape: Painters have used landscape to study light, weather, season, and the relation between people and place. The invention of paint in tubes in the 1840s made it easier to work outdoors, and landscape became a main subject of Romanticism, Realism, and Impressionism. About the period around 1785: The eighteenth century began with the light, ornamental Rococo, especially in France, and moved towards the clarity and antique references of Neoclassicism by the end of the century. The Enlightenment and the habit of the Grand Tour fed a wider interest in science, travel, antiquity, and natural history, and illustrators accompanied many expeditions. It is listed in the Landscape collection. The image is in landscape orientation.

Your purchase of "Arcadian Landscape with an Obelisk" on onlly.art is a digital download: Digital JPEG + PDF files, 300 DPI. After payment the download link arrives by email, and you can send the files to any print service you trust. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Landscape scenes add depth and a sense of air to the room, helping the space feel more open and working especially well above a sofa, console, or desk. If you are unsure about size, measure the wall first, then pick a frame whose proportions follow the image. Hang the print away from direct sunlight, which over the years can fade any printed colour. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

ABOUT THE ARTIST

Swiss, 1730–1788

If you like the visual language of Salomon Gessner, explore more works by the same artist in our collection.

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